Moderators: biscuits, seattleboy, crazyman324
Well I think programmers should look at iTunes sales and album sales as well instead of just doing what they're being paid to play. Adele's out of the box success with "21" and RITD on ITunes should've set signals to add it to their playlists, they only did it after it was evident that they couldn't ignore her.danbarj wrote:@NothingFails - radios weren't touching Adele because she wasn't requested. She was selling off of a "word of mouth" campaign based on the knowledge of her music that spread like cancer. As people became more aware, they began to buy and request and etc. Saying such a thing would be the same as saying "why didn't the people catch on in the very beginning. She should've sold 1 million
+ in the first week." That would have been an ignorant statement. Because she sold as, every week, more and more people fall in love with her. Plain and simple.
And that is another thing I hate about US radio... they hang on to a song way too long after the moment is passed. As a Foster The People fan, it pisses me off they're on their fourth single yet mainstream US radio is still on "Pumped Up Kicks". The same happened with Cee-Lo's album where US radio was still obsessed with "F--- You" when he was already on single #3 or #4 in the UK, same happened with Lady Antebellum's "Need You Now", etc.. Every song has a shelf life and I think after about 3 months, its time to move on to the next single instead of continuing to shove the song that's already had its moment down everyone's throats. Even with nostalgia, so many of the songs that were overplayed in the 90's are still hated because they were so overplayed for so long during their original run. Who wants to hear Hootie And The Blowfish during a 90's nostalgia hour when we still know the songs by heart from how overplayed they were in 1995-1996?danbarj wrote:And for those that ignorantly argue "airplay can be manipulated" I wish you'd make sense. Sales can be manipulated through weekly remixes (Gaga with BTW) or remixes (Rihanna/Katy Perry) and massive, disgusting discounts at times. Banners are manipulative aswell. And, usually, when a song's banner is removed, sales drop. When the initial fuss is over, sales drop. Proper hits usually hang on WITH radio (MLJ, RITD, WFL).
Songs that radio plays when they do flashbacks are different than pushing new singles. When Lady Antebellum have already moved on to the fourth single off the album and pop radio is still playing the first single (and I don't know a soul who isn't sick to death of that song now in no small part thanks to radio keeping it in heavy rotation for six months), why can't radio decide that maybe it's time to move on as well?Timmy94 wrote:But what if people keep wanting to hear those songs?
Perhaps they want to have Pumped Up Kicks and not Helena Beat or Call It What You Want...
Reasons could be that they don't know they exist or they just don't like them...
But aren't there also some kind of radio classics in the USA?
Songs the radio discovered and as people keep showing love for them, they keep playing them even years after the release?
I always wondered if US radio isn't pretty current because even on the recurrent chart, we see only songs that just left the chart and perhaps I Gotta Feeling, Dynamite or Need You Now...
In Germany, they still play Natalie Imbruglia's Torn, I Love Rock N Roll, Every Breath You Take, Another One Bites The Dust, Lemon Tree or Truly Madly Deeply... Is there an equivalent in the US?
No it's not..therealestMC wrote:We're not talking about singles artists (Enrique) or unusual successes (Adele). In most cases, radio is one of the biggest signs of popularity.
Poop123 wrote:Billboard is so shady!!
+1 Especially DefJam. They're experts when it comes to radio payola.aaliyahman wrote:I didn't have a problem with radio in the US but it did start to appear corrupt (this is to someone from the UK) when I heard about payola first , I passed on that as we didn't ever have any concrete proof.
However, these clearchannel 'deals' stars are making are disgusting. You shouldn't be able to do any type of 'deal' with a radio station especially when it is so fundamental to how a song charts.
The most popular song deserves to be No. 1, if it's a Christmas song let it bebiscuits wrote:I completely disagree!
Christmas songs should be number one at Christmas. It represents the time of year. That's how it is (or used to be) in the UK.
Right, nobody griped when Susan Boyle, Michael Buble, Josh Groban had #1 Christmas albums.biscuits wrote:I completely disagree!
Christmas songs should be number one at Christmas. It represents the time of year. That's how it is (or used to be) in the UK.
... well the song would have made the top 10 in 2005 when it hit #1 on itunes and the Hot digital songs chart for a week, before letting DFAU get its run.NothingFails wrote:Right, nobody griped when Susan Boyle, Michael Buble, Josh Groban had #1 Christmas albums.biscuits wrote:I completely disagree!
Christmas songs should be number one at Christmas. It represents the time of year. That's how it is (or used to be) in the UK.
Ultimately though, I don't think Mariah will hit #1 with AIWFCIY. She will have no problem outpeaking the #83 position but the best shot it would've had at #1 was in 1994 when it was brand new.