Adele 21 - Trying to put things in some sort of context

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Postby rundmck » Sat Mar 17, 2012 8:39 pm

NothingFails wrote:
rundmck wrote:Where did someone say that Perry and Rihanna are as good as Springsteen, Police & Prince? I can't find it.
He tried to argue that Adele's quote on quote "competition" is just as strong as those Michael had in his day. Katy and Rihanna make fun pop music no doubt, but come on... compared to some of the art Bruce and Prince have made? Both of those guys are Hall of Famers who command respect. Katy and Rihanna's equivilent from that era was someone like Sheena Easton.
But noone actually compared Katy&Rihanna to Bruce etc? Surely Adele's'competition' in terms of 'musical quality' is everyone else in the world making music, as it has been for every artist, ever.
Obviously there are many variables influencing public intake and consumption of music, but bringing up 'quality of other artists' is redundant, considering, as mentioned before, it is subjective.

At the end of the day, although my favourite music decade is the 60's, I would rather listen to Neil Hannon than Bruce, Elbow than The Police and Vampire Weekend than Prince. However that is just my opinion, and it would be illogical of me to say 'These acts are without a doubt better than any 80's act and therefore Adele has much more competition than MJ ever did'

In other words, discuss the other variables, but leave the highly subjective 'musical quality of other acts' out of it.
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Postby Euromillions » Sat Mar 17, 2012 9:00 pm

The arguments of the anti-Adele camp get more flimsy with every record '21' breaks. Now we have 'progressed' from the earlier debate about sales (which '21' is proving extremely difficult to criticise without looking like the poster has an ulterior motive and which can be proven incorrect) to totally subjective discussions about the 'quality' of musical competition. Hilarious.

In a (probably futile) attempt to get this back to the objective discussion about sales and chart performance of the relevant albums here, can anyone tell me the definitive sales figure of 'Thriller'? There seems an enormously wide gulf in the totals I have seen bandied about. From 65m to 110m. Who to believe?

http://online.wsj.com/article/SB124760651612341407.html
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Postby phoenix83 » Sun Mar 18, 2012 12:29 am

Euromillions wrote:The arguments of the anti-Adele camp get more flimsy with every record '21' breaks. Now we have 'progressed' from the earlier debate about sales (which '21' is proving extremely difficult to criticise without looking like the poster has an ulterior motive and which can be proven incorrect) to totally subjective discussions about the 'quality' of musical competition. Hilarious.

In a (probably futile) attempt to get this back to the objective discussion about sales and chart performance of the relevant albums here, can anyone tell me the definitive sales figure of 'Thriller'? There seems an enormously wide gulf in the totals I have seen bandied about. From 65m to 110m. Who to believe?

http://online.wsj.com/article/SB124760651612341407.html
I can't tell you the definitive sales figure worldwide but for some of the largest markets the rough figures according to wiki are:

US 29m
UK 4.5m
Brazil 3.8m
France 2.4m
Japan 2m
Germany 1.5m
Australia 1.1m

That gives a total of 44.3m for those markets. If we throw in Canada, Spain, Italy, Holland we'd probably get to 50m.

These countries would account for the majority of album sales. My best rough guess (and it is still a guess) would be 60-70m worldwide.

Still easily the bestseller of all time but nowhere near the ridiculously inflated 110m, IMHO.
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Postby stevyy » Sun Mar 18, 2012 1:15 am

the 110m figures has been criticized ever since it appeared. Thriller had most likely sold 60m copies before Michael died in 2009. Since then and with the 25th anniversary edition combined the album should have sold 70m+! That's a reasonable estimation.
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Postby HAL9000 » Sun Mar 18, 2012 5:03 am

This whole thread has a lot of unprovable assumptions and incorrect statistical interpretations with purpose to make great success of Adele's "21" even more impressive and to dismiss success of prior artists. You want to make comparisons, but in doing that some of you deliberately ignore/twist all the facts which are not in favor of Adele.

joao wrote:diamond albums were relatively common in the 80´s and 90´s - as opposed to the second half of the 00´s, when we got NO diamond album at all.
From all albums released in period 1980-1985 only 4 were certified 10x Platinum or more during 80s. "Thriller" as 20xP in 1984, "Born in the U.S.A." and "Can't Slow Down" as 10xP in 1985 and "Purple Rain" was certified as 10xP and "Born in the U.S.A." was re-certified as 11xP in 1989.

rundmck wrote:Surely Adele's 'competition' in terms of 'musical quality' is everyone else in the world making music, as it has been for every artist, ever.
Obviously there are many variables influencing public intake and consumption of music, but bringing up 'quality of other artists' is redundant, considering, as mentioned before, it is subjective.
rundmck wrote:In other words, discuss the other variables, but leave the highly subjective 'musical quality of other acts' out of it.
For some people Mozart's music or Shakespeare's dramas are nothing special but that doesn't change a fact that their works are considered by public for generations as important and great works of art. There is a difference between personal subjective opinion and public opinion which is complex collection of opinions of many different people. Do you know why students in school around the world read and analyze works of great writers like Dostoyevsky, Goethe, Tolstoy, Cervantes, Dante, Dickens, Shakespeare, Poe etc... Do you know why some works of art are considered extremely important works of our civilization?
In excellent book "What is Art?", great Leo Tolstoy talks about art, good art, bad art, exclusive art, religious (Christian) art etc. and he writes that good art pleases majority of people, and majority should understand what is good art.
For various reasons certain periods in the history have produced a number of quality artists and works, only for example, film movements - the French New Wave in the 60s or the Italian neorealism after the WW2... and same goes for music. Many albums from the Thriller era - 1982-84 are considered as masterpieces of (modern) music of the 20th century, actually many were considered as master-pieces immediately after release and were good sellers. We could also talk about the sociological impact made by these albums, and that is another important factor in observing a work of art and its success because some works have the quality of uniting men (or group of people) in one common feeling, perception, some albums are/were very important part of certain musical and/or cultural movement etc... Anyway, of course, like anyone else you have own personal opinion regarding quality of any of the Thriller era albums but the point is your personal opinion doesn't change a fact that the Thriller era produced many masterpieces of (modern) music and that can't be ignored with "'musical quality' is subjective" argument. Among others, Thriller's success is also impressive because it was from the era with many great albums.

Without the passage of time it is difficult to make definitive judgments about today's music and their sociological impact (if any exists at all?), but looking at sales numbers and general interest of people to spend money on new music (vs. old music), and the huge amount of money that people spend on concert tickets of old stars it is easy to make conclusion what the audience thinks about today's music in general.
Last edited by HAL9000 on Sun Mar 18, 2012 6:54 am, edited 2 times in total.
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Postby NothingFails » Sun Mar 18, 2012 5:24 am

HAL9000 wrote:
joao wrote:diamond albums were relatively common in the 80´s and 90´s - as opposed to the second half of the 00´s, when we got NO diamond album at all.
From all albums released in period 1980-1985 only 4 were certified 10x Platinum or more during 80s. "Thriller" as 20xP in 1984, "Born in the U.S.A." and "Can't Slow Down" as 10xP in 1985 and "Purple Rain" was certified as 10xP and "Born in the U.S.A." was re-certified as 11xP in 1989.
Right, the 70s and 80s were loaded with albums that continued to sell for years and now in hindsight there were "lots of blockbusters", but at the time, going diamond was really rare, even Prince took five years to go diamond with Purple Rain and that album was massive upon release.

HAL9000 wrote:For various reasons a certain periods in history have produced a number of quality artists and works, only for example, film movements - the French New Wave in the 60s or the Italian neorealism after the WW2... and same goes for music. Many albums from the Thriller era - 1982-84 are considered as masterpieces of (modern) music of the 20th century, actually many were considered as master-pieces immediately after release and were good sellers. We could also talk about the sociological impact made by these albums, and that is another important factor in observing a work of art and its success because some works have the quality of uniting men (or group of people) in one common feeling, perception, some albums are/were very important part of certain musical and/or cultural movement etc... Anyway, of course, like anyone else you have own personal opinion regarding quality of any of the Thriller era albums but the point is your personal opinion doesn't change a fact that the Thriller era produced many masterpieces of (modern) music and that can't be ignored with "'musical quality' is subjective" argument. Among others, Thriller's success is also impressive because it was from the era with many great albums.

Without the passage of time it is difficult to make definitive judgments about today's music and their sociological impact (if any exists at all?), but looking at sales numbers and general interest of people to spend money on new music (vs. old music), and the huge amount of money that people spend on concert tickets of old stars it is easy to make conclusion what the audience thinks about today's music in general.
This is true. The 1982-1987 period IMO was much like the late 60s in the sense of so many artists in their heyday releasing brilliant albums that continue to sell well and get new listeners 25-30 years on. Every year has its great albums, but I'd say even without sales being factored in (as some "all time classic" albums were poor sellers upon release), there are at least 30 albums released during those years people regard as all time greats now. Adele will certainly be a 2011 classic in 20-30 years, but I don't think Loud or Teenage Dream will be regarded any more that time than Millennium or No Strings Attached are seen today.
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Postby HAL9000 » Sun Mar 18, 2012 6:08 am

NothingFails wrote:The 1982-1987 period IMO was much like the late 60s in the sense of so many artists in their heyday releasing brilliant albums that continue to sell well and get new listeners 25-30 years on. Every year has its great albums, but I'd say even without sales being factored in (as some "all time classic" albums were poor sellers upon release), there are at least 30 albums released during those years people regard as all time greats now. Adele will certainly be a 2011 classic in 20-30 years, but I don't think Loud or Teenage Dream will be regarded any more that time than Millennium or No Strings Attached are seen today.
I absolutely agree!

...and by the way...

[offtopic]
NothingFails - 20,000 posts! 8-)
stevyy - 17,000 posts! 8-)
Impressive! Congratulations!
[/offtopic]
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Postby pierpinto » Sun Mar 18, 2012 6:56 am

phoenix83 wrote:
USA 29,900,000
UK 4,500,000
FRANCE 3,200,000 (MINIMUM)
CANADA 3,000,000
JAPAN 2,600,000
GERMANY 2,000,000
MEXICO 1,720,000
BRAZIL 1,600,000 (MINIMUM)
ITALY 1,350,000
AUSTRALIA 1,120,000
THE NETHERLANDS 1,000,000
SPAIN 700,000 (MINIMUM)
ARGENTINA 620,000
BELGIUM 570,000
SWEDEN 420,000
AUSTRIA 400,000
CHILE 400,000
SWITZERLAND 315,000 (MINIMUM)
COLOMBIA 300,000 (MINIMUM)
NEW ZEALAND 180,000
DENMARK 180,000
NORWAY 150,000
FINLAND 120,000
PORTUGAL 101,000
INDIA 115,000 (MINIMUM)
YOUGOSLAVIA 112,000 (1984)
CECOSLOVACCHIA 100,000+ (IMPORT SALES 04/1985)
GREECE 100,000+ (1983)


Thriller has sold well over 60 mill, 65-70 imo.

Sony gave a 70 mill. figure.
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Postby NothingFails » Sun Mar 18, 2012 7:10 am

I am curious where the 104 million figure came from. Did Sony decide to factor in single sales into that number? Because 65-70 million still places it a good 20-25 million higher than the runner-up, although "#2" is up for debate (some say Back In Black, and there's a few others that are considered that).
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Postby pierpinto » Sun Mar 18, 2012 7:19 am

NothingFails wrote:I am curious where the 104 million figure came from. Did Sony decide to factor in single sales into that number? Because 65-70 million still places it a good 20-25 million higher than the runner-up, although "#2" is up for debate (some say Back In Black, and there's a few others that are considered that).
The official site says :

and “Thriller” holds the distinction as the largest selling album worldwide in the history of the recording industry with more than 70 million units sold. Additionally, singles released from the Thriller album sold more than 100 million copies worldwide, another all time record.
http://www.michaeljackson.com/us/bio

So 70 mill. looks like the official figure.
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Postby ShayLaB » Sun Mar 18, 2012 9:29 am

NothingFails wrote:I am curious where the 104 million figure came from. Did Sony decide to factor in single sales into that number? Because 65-70 million still places it a good 20-25 million higher than the runner-up, although "#2" is up for debate (some say Back In Black, and there's a few others that are considered that).
Album + singles + VHS (the videos of the title track sold really well) + whatever else Sony could think of = 104 million

I think the original phrasing was about it generating sales of 104 million, rather than albums.
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Postby nibblet » Sun Mar 18, 2012 12:23 pm

WolfSpear wrote:
nibblet wrote:Re: MJDangerous Post

Whilst I don't disagree with 'Thriller' being in a league of its own, MJDangerous fails to recognise that over 50% of the sales for 'Thriller' came after the release of its follow-up 'Bad'.

The issue of 'back-catalogue' sales should not be overlooked.
It's only a third of its sales since the release of Bad. It's only clocked in 10 million more in sales since 1984.
The sales of 'Thriller' were just under 40 million by the time 'Bad' was released. It's since sold another 25-30 million approx.

Other 'blockbusters' often sited also enjoyed considerable back-catalogue sales as a result of subsequent follow-up releases.

For example, both 'Hysteria' by Def Leppard and 'Appetite For Destruction' by Guns N Roses were released in the middle of 1987. By the close of the decade, 'Hysteria' was the arguably the bigger of the two albums.

However, in the years since, 'Appetite...' has long overtaken 'Hysteria' (I guess around 28 million to 20 million).

My point is simply that 'Hysteria' was 'once' THE blockbuster rock album of the 80s. Now, with years of back-catalogue sales taken into consideration, it's considerably behind both 'Slippery When Wet' and 'Appetite For Destruction' and no longer the considered 'blockbuster' it once was.

Now, linking this to '21', is it not unfair and premature to compare its current success with the 'total' sales of 'classic' albums from previous decades?

At this stage of it's maturity (barely jsut over a year sicne release), I consider it interesting that with the exception of 'Thriller', I can't think of any other album to achieved so much in so little time.
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Postby joao » Sun Mar 18, 2012 3:17 pm

NothingFails wrote:Adele will certainly be a 2011 classic in 20-30 years, but I don't think Loud or Teenage Dream will be regarded any more that time than Millennium or No Strings Attached are seen today.
Which doesn´t change the fact that Millenium and No Strings Attached were BIG COMPETITION for anyone releasing music at those times. Which puts the whole argument about bad quality of music released today being an advantage to Adele into dust.

Competition in the charts have nothing to do with how artists will be regarded in the future.

Historically, bad quality and being manufactured had never been an obstacle for music to sell in big numbers. Even if artists like Milli Vanilli and MC Hammer didn´t last, it doesn´t change the fact that they ruled the charts during their respective peaks.
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Postby joao » Sun Mar 18, 2012 3:38 pm

NothingFails wrote:This is true. The 1982-1987 period IMO was much like the late 60s in the sense of so many artists in their heyday releasing brilliant albums that continue to sell well and get new listeners 25-30 years on. Every year has its great albums, but I'd say even without sales being factored in (as some "all time classic" albums were poor sellers upon release), there are at least 30 albums released during those years people regard as all time greats now.
Another bit I´d like to comment... Do you think Thriller would remain selling in such numbers until 2012 if it was Michael´s last release, of if the follow up "Bad" ended up being a disastrous flop? Do you really think the fact the artist has remained popular for several years and remained in the media spotlight for decades has nothing to do with its neverending sales, and it´s all due to the exceptional quality of the material released?

I love Thriller and most of Michael´s releases. It´s fun and classic pop at its best. But so is Ace Of Base´s The Sign, in my opinion, the difference being the latter act didn´t last after the followup album. If Ace Of Base´s 2nd album had been a blockbuster and the band members were still recognizeable celebrities today, we would be hearing people talking about how "The Sign/Happy Nation" was a classic album, and people that claimed to dislike that album would be criticized for not liking something that is universally regarded as a classic. Same goes for Alanis Morissette´s debut.

The reason why albums like "The Sign" or "Jagged Little Pill" are not regarded today as "pop classics" and are not into the catalog charts top 10 has nothing to do with the quality of those albums being inferior, but simply because these artists have disappeared from the media, and therefore, interest in their older music is not renewed from time to time like it happens with Michael, Madonna, Whitney, for example.

It´s a shame that we don´t have Soundscan numbers for the 80´s, but even for the 90´s when Soundscan didn´t even cover 90% of the sales and music clubs were so big, do you think there has been a week when a Top 5 album sold less then 30k? In 2011-2010, a top 5 album selling this low is realtively common., We had this several times during the last year and this year. I can´t seriously argument with anyone that can´t see that this is a factor of advantage for any album released in the 80´s/90´s, when compared to a 2011 album.

There are more then 25 releases from the 80´s that have been certified 10x platinum or more, and at least 4 releases that were certified 20x platinum.

From the 90´s it should be even more.

Do you think there will ever be an album from 2005 onwards, apart from 21, that will ever be certified diamond? :lol:

Having sold 8.1 million and still being above 190k in weekly sales at this point, 21 might well end up diamond before even becoming "catalog" or having a followup released. That´d put it ahead even of some 80´s classics.
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Postby NothingFails » Sun Mar 18, 2012 6:55 pm

nibblet wrote:Other 'blockbusters' often sited also enjoyed considerable back-catalogue sales as a result of subsequent follow-up releases.

For example, both 'Hysteria' by Def Leppard and 'Appetite For Destruction' by Guns N Roses were released in the middle of 1987. By the close of the decade, 'Hysteria' was the arguably the bigger of the two albums.

However, in the years since, 'Appetite...' has long overtaken 'Hysteria' (I guess around 28 million to 20 million).

My point is simply that 'Hysteria' was 'once' THE blockbuster rock album of the 80s. Now, with years of back-catalogue sales taken into consideration, it's considerably behind both 'Slippery When Wet' and 'Appetite For Destruction' and no longer the considered 'blockbuster' it once was.

Now, linking this to '21', is it not unfair and premature to compare its current success with the 'total' sales of 'classic' albums from previous decades?

At this stage of it's maturity (barely jsut over a year sicne release), I consider it interesting that with the exception of 'Thriller', I can't think of any other album to achieved so much in so little time.
Good point, I would say one major difference between Def Lep and GNR is Def Lep's Greatest Hits album hit shelves about nine years prior to GNR's (1995 compared to 2004) and those were some of the biggest years in sales ever. Both albums have become victims of people choosing a Greatest Hits album instead as both albums heavily feature tracks from said albums. So GNR had people relying on buying Appetite for so many years since there wasn't a compilation, while people went to Vault (and now Rock Of Ages which is far more extensive being 2 cd's) instead of Hysteria and Pyromania when upgrading their old vinyl and tapes to cd.
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Postby NothingFails » Sun Mar 18, 2012 7:02 pm

joao wrote:
NothingFails wrote:Adele will certainly be a 2011 classic in 20-30 years, but I don't think Loud or Teenage Dream will be regarded any more that time than Millennium or No Strings Attached are seen today.
Which doesn´t change the fact that Millenium and No Strings Attached were BIG COMPETITION for anyone releasing music at those times. Which puts the whole argument about bad quality of music released today being an advantage to Adele into dust.

Competition in the charts have nothing to do with how artists will be regarded in the future.

Historically, bad quality and being manufactured had never been an obstacle for music to sell in big numbers. Even if artists like Milli Vanilli and MC Hammer didn´t last, it doesn´t change the fact that they ruled the charts during their respective peaks.
Well true, NSA and Millennium were kicking ass and taking names on the chart, but in hindsight nobody out there thinks of those two albums as landmarks in pop music that still hold up 12-13 years later. While not an "all time classic", something like Santana's Supernatural is still seen as a good comeback for him, and Eminem's Marshal Mathers LP is seen as a classic and still sells well, the BSB/N'Sync albums were pop smashes that were hot for a year or two because little girls thought they were sexy. I think in 15 years the Katy and Rihanna albums as catalog titles will be far more like those two than like "Marshal Mathers LP" is.

The big difference today is that teens don't buy music anymore. BSB and N'Sync would be struggling to break 1.5 million today, and much of that would be from parents who still buy music who buy the music for their kids (see why High School Musical, Hannah Montana and Justin Bieber sell well... its parents)
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Postby phoenix83 » Sun Mar 18, 2012 8:40 pm

joao wrote:
NothingFails wrote:This is true. The 1982-1987 period IMO was much like the late 60s in the sense of so many artists in their heyday releasing brilliant albums that continue to sell well and get new listeners 25-30 years on. Every year has its great albums, but I'd say even without sales being factored in (as some "all time classic" albums were poor sellers upon release), there are at least 30 albums released during those years people regard as all time greats now.
The reason why albums like "The Sign" or "Jagged Little Pill" are not regarded today as "pop classics" and are not into the catalog charts top 10 has nothing to do with the quality of those albums being inferior, but simply because these artists have disappeared from the media, and therefore, interest in their older music is not renewed from time to time like it happens with Michael, Madonna, Whitney, for example.
I think you'll find Jagged Little Pill is considered a classic.

http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/jagged-little-pill-alanis-morissette-19691231
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Postby jimmypages59 » Sun Mar 18, 2012 9:08 pm

"I think you'll find Jagged Little Pill is considered a classic"

lol I wouldn't use a placing at No.327 on a Rolling Stone List, as an indicator of whether or not an album is a "classic".
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Postby HUR » Sun Mar 18, 2012 9:10 pm

Euromillions wrote:The arguments of the anti-Adele camp get more flimsy with every record '21' breaks. Now we have 'progressed' from the earlier debate about sales (which '21' is proving extremely difficult to criticise without looking like the poster has an ulterior motive and which can be proven incorrect) to totally subjective discussions about the 'quality' of musical competition. Hilarious.

In a (probably futile) attempt to get this back to the objective discussion about sales and chart performance of the relevant albums here, can anyone tell me the definitive sales figure of 'Thriller'? There seems an enormously wide gulf in the totals I have seen bandied about. From 65m to 110m. Who to believe?

http://online.wsj.com/article/SB124760651612341407.html
Can you name the persons that belong to the 'Anti-Adele camp'?
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Postby phoenix83 » Sun Mar 18, 2012 9:38 pm

jimmypages59 wrote:"I think you'll find Jagged Little Pill is considered a classic"

lol I wouldn't use a placing at No.327 on a Rolling Stone List, as an indicator of whether or not an album is a "classic".
That was just one example I found quickly online - it appears in several 'best of' lists :roll:

My point was that it's hardly a forgotten album as Joao was implying.
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Postby NothingFails » Sun Mar 18, 2012 10:18 pm

phoenix83 wrote:
joao wrote:
NothingFails wrote:This is true. The 1982-1987 period IMO was much like the late 60s in the sense of so many artists in their heyday releasing brilliant albums that continue to sell well and get new listeners 25-30 years on. Every year has its great albums, but I'd say even without sales being factored in (as some "all time classic" albums were poor sellers upon release), there are at least 30 albums released during those years people regard as all time greats now.
The reason why albums like "The Sign" or "Jagged Little Pill" are not regarded today as "pop classics" and are not into the catalog charts top 10 has nothing to do with the quality of those albums being inferior, but simply because these artists have disappeared from the media, and therefore, interest in their older music is not renewed from time to time like it happens with Michael, Madonna, Whitney, for example.
I think you'll find Jagged Little Pill is considered a classic.

http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-19691231/jagged-little-pill-alanis-morissette-19691231
I was thinking the same thing. Jagged is still regarded as a watershed and definitive album of the 90's. The Sign is another thing, AOB were a fun, inoffensive little pop group who were passe two years later, but Alanis' album is definitely regarded as one of the defining albums of the 1990s.
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Postby NothingFails » Sun Mar 18, 2012 10:21 pm

jimmypages59 wrote:"I think you'll find Jagged Little Pill is considered a classic"

lol I wouldn't use a placing at No.327 on a Rolling Stone List, as an indicator of whether or not an album is a "classic".
That is true, but when you look in general where esteem is held, I would not put JLP as a "once huge album nobody dares admit liking today" 90's album like Millennium, The Sign or Kenny G's Breathless.
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Postby nibblet » Sun Mar 18, 2012 11:12 pm

NothingFails wrote:
nibblet wrote:Other 'blockbusters' often sited also enjoyed considerable back-catalogue sales as a result of subsequent follow-up releases.

For example, both 'Hysteria' by Def Leppard and 'Appetite For Destruction' by Guns N Roses were released in the middle of 1987. By the close of the decade, 'Hysteria' was the arguably the bigger of the two albums.

However, in the years since, 'Appetite...' has long overtaken 'Hysteria' (I guess around 28 million to 20 million).

My point is simply that 'Hysteria' was 'once' THE blockbuster rock album of the 80s. Now, with years of back-catalogue sales taken into consideration, it's considerably behind both 'Slippery When Wet' and 'Appetite For Destruction' and no longer the considered 'blockbuster' it once was.

Now, linking this to '21', is it not unfair and premature to compare its current success with the 'total' sales of 'classic' albums from previous decades?

At this stage of it's maturity (barely jsut over a year sicne release), I consider it interesting that with the exception of 'Thriller', I can't think of any other album to achieved so much in so little time.
Good point, I would say one major difference between Def Lep and GNR is Def Lep's Greatest Hits album hit shelves about nine years prior to GNR's (1995 compared to 2004) and those were some of the biggest years in sales ever. Both albums have become victims of people choosing a Greatest Hits album instead as both albums heavily feature tracks from said albums. So GNR had people relying on buying Appetite for so many years since there wasn't a compilation, while people went to Vault (and now Rock Of Ages which is far more extensive being 2 cd's) instead of Hysteria and Pyromania when upgrading their old vinyl and tapes to cd.
Indeed a very good and valid point.

However, the sales of 'Hysteria' + 'Vault' are more or less only equal to those of 'Appetite...' on its own. But 'Hysteria' was the bigger of the two albums for the first few years after its release.

Somewhere along the subsequent years, 'Appetite' became the rock blockbuster of the 80s as a result of its back-catalogue sales....

I know it appears that I am going off topic here but I am curious to open debate as to whether or not any album has had as much success as '21' in one year/14months of release, with the obvious exception of 'Thriller'?

Time will tell if '21' will in the future enjoy the back catalogue sales of the likes of other touted 'blockbusters'? I guess there's two issues it will face:

1) The state of the market in the next few years
2) Whether or not the follow-up albums are successful?

Of course, the second point relates to my views that 'blockbusters' status is achieved not just by initial sales but subsequent back-catalogue sales....

Now, on one final note....I think it interesting you mention the issue of peole 'upgrading' from vinyl/tapes to cd. That's an advantage, forthcoming technological advances aside, that I don't see '21' benefiting from.
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Postby NothingFails » Sun Mar 18, 2012 11:23 pm

nibblet wrote:However, the sales of 'Hysteria' + 'Vault' are more or less only equal to those of 'Appetite...' on its own. But 'Hysteria' was the bigger of the two albums for the first few years after its release.

Somewhere along the subsequent years, 'Appetite' became the rock blockbuster of the 80s as a result of its back-catalogue sales....
I think the difference is that after the 80s ended and the 90s mentality took over, the pop-friendliness of Def Lep was held against them. Hysteria has still sold fairly well as a catalog title (2.5 million since 1991 in the US is still impressive considering the album was already four years old when Soundscan began counting sales), but Appetite was seen as more "bad ass" and it was seen as cooler to still listen to in the era of grunge.

But then, even that theory goes out the window when you consider Bon Jovi's Slippery When Wet has managed to still do very well in the Soundscan era despite a GH album released in 1994 AND that Bon Jovi's reputation is so far removed from "kick ass heavy metal" at this point that Def Lep may very well be Pantera in comparison.
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Postby joao » Mon Mar 19, 2012 12:23 am

NothingFails wrote:
jimmypages59 wrote:"I think you'll find Jagged Little Pill is considered a classic"

lol I wouldn't use a placing at No.327 on a Rolling Stone List, as an indicator of whether or not an album is a "classic".
That is true, but when you look in general where esteem is held, I would not put JLP as a "once huge album nobody dares admit liking today" 90's album like Millennium, The Sign or Kenny G's Breathless.
People don´t feel so ashamed of liking JLP because it´s guitar music, and that still has a better reputation then "fun pop".

My point is not about JLP being a discartable album, it´s about how thickle those concepts like a "classic album" or "albums to be ashamed of" are. If Michael and Madonna had not remained popular after their 80´s peak, Thriller and Like A Virgin would be remembered today as "fun pop that I used to hear when I was an 80´s kid" and not as "defining pop classics". They are fun pop too. I don´t think a record like The Sign is inferior to Madonna´s and Michael´s 80´s releases (that´s a subjective things, I know), but the reason that album has entered the list of "fun pop from the past that people do not take seriously today" instead of "defining pop classics" has nothing to do with the quality of the album itself, but with the fact that the band members are not celebrities today and they are not exposed in the media.

It´s bubble-gum, cheesy pop? I know it, but so is Abba, and Abba songs are universally regarded as pop classics. Those songs from Ace of Base aren´t anymore cheesy then Abba´s 70´s songs were. And if it wasn´t for Abba revivals like the musical in the 90´s, and most recently the Mamma Mia movie, who knows if their 70´s songs wouldn´t have fallen into the shameful category, instead of the classics. In fact, Ace Of Base had more impact in the USA during their heyday then Abba ever had. The Sign went 9x platinum in the USA and had 3 #1 singles. Abba never had a top 20 studio album in the USA, and had only one #1 single ever. Even Ace Of Base´s flop followup was more sucessful then Abba´s studio albums, since it went 2x platinum and had a Top 15 single.

So why did Abba music became "classic" while AOB´s has fallen into "90´s eurotrash" category? I don´t see any qualitative difference between those acts. They have many things in common: both are nordic, boy-girl mixed group, and made pure fun pop music without any pretension to be serious or political.
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