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it's not like the world stops every year on that day lolWardo wrote:September 11th? Why this significant date?
It wasn't getting much airplay, but her single was also a hit worldwide, and was top 3 on US iTunes.charly3 wrote:Pushing albums back just sends out the wrong message. Adele got number one album in America and didn't even have a single being played. I don't know how things work any longer
I think it might reach top 10 in the UK and could be a slow Burner in other charts. Hopefully I'll be able to say "I Told You So"pcdm3 wrote:Yeah, the single is a big fat flop... she should release another single... a good one this time please.
I'm with Charly3! Too many Albums get delayed just because they don't have a hit Single! Record company's need to take risks and just release albums IMO. For the likes of Kelly Rowland and Nicole Scherzinger! I mean Lana Del Rey did well for being relatively unheard of!!! Having a hit single doesn't even mean a guaranteed album success anyways! Normally hit singles aren't even Album sellers. It's frustrating!snwbrder757 wrote:It wasn't getting much airplay, but her single was also a hit worldwide, and was top 3 on US iTunes.charly3 wrote:Pushing albums back just sends out the wrong message. Adele got number one album in America and didn't even have a single being played. I don't know how things work any longer
The UK pays her gardenerGarf69 wrote:I think it might reach top 10 in the UK and could be a slow Burner in other charts. Hopefully I'll be able to say "I Told You So"pcdm3 wrote:Yeah, the single is a big fat flop... she should release another single... a good one this time please.
this!Garf69 wrote:I'm with Charly3! Too many Albums get delayed just because they don't have a hit Single! Record company's need to take risks and just release albums IMO. For the likes of Kelly Rowland and Nicole Scherzinger! I mean Lana Del Rey did well for being relatively unheard of!!! Having a hit single doesn't even mean a guaranteed album success anyways! Normally hit singles aren't even Album sellers. It's frustrating!snwbrder757 wrote:It wasn't getting much airplay, but her single was also a hit worldwide, and was top 3 on US iTunes.charly3 wrote:Pushing albums back just sends out the wrong message. Adele got number one album in America and didn't even have a single being played. I don't know how things work any longer
Because spanish albums are just like Holiday albums, live albums etc. albums where not everybody cares for. It's sad but true, but her spanish album pretty much put her off the major radars, which makes it for a lot of people that they waited 6 years.theArmy wrote:why do ppl always forget Mi Plan? just cuz it's on Spanish, doesn't mean it wasn't her 4th albummattsky wrote:I've already been waiting for six years!!![]()
"Mi Plan" is AMAZING album and you can't blame it for her abscence. It was her desicion.Jesper wrote:Because spanish albums are just like Holiday albums, live albums etc. albums where not everybody cares for. It's sad but true, but her spanish album pretty much put her off the major radars, which makes it for a lot of people that they waited 6 years.theArmy wrote:why do ppl always forget Mi Plan? just cuz it's on Spanish, doesn't mean it wasn't her 4th albummattsky wrote:I've already been waiting for six years!!![]()
I also enjoyed the album, I don't personally blame it for her abscence, but I can see why others do.NoAngel wrote:"Mi Plan" is AMAZING album and you can't blame it for her abscence. It was her desicion.Jesper wrote:Because spanish albums are just like Holiday albums, live albums etc. albums where not everybody cares for. It's sad but true, but her spanish album pretty much put her off the major radars, which makes it for a lot of people that they waited 6 years.theArmy wrote:why do ppl always forget Mi Plan? just cuz it's on Spanish, doesn't mean it wasn't her 4th albummattsky wrote:I've already been waiting for six years!!![]()
I love Mi Plan but I'm talking about this English language album. Spanish language records do not sell in the USA and in the UK so for a lot of people her last studio album was Loose.theArmy wrote:why do ppl always forget Mi Plan? just cuz it's on Spanish, doesn't mean it wasn't her 4th albummattsky wrote:I've already been waiting for six years!!![]()
no we weren't! we were enjoying Loose back thenRebirth wrote:though we waited for this since 2006.
When I started this musical journey I wasn’t sure of where I would end up, as I had just finished touring my spanish album and was tentative about singing in english again.
I was seriously considering retiring from my career as a pop musician and pursuing other music-related and creative endeavours.
Slowly, but surely, I began to record again and eventually found a new freedom within my voice and an overwhelming sense of excitement about making pop music.
That is the excitement you hear on The Spirit Indestructible. Nostalgia is a huge theme. All my old memories suddenly became crystal clear to me, and I found myself re-visiting my past in a fresh and colourful way, on songs such as “Parking Lot” , produced by Rodney “Darkchild” Jerkins, where I detail good times in my hometown, sort of like my own take on “Summer Of 69?”. On “Big Hoops”, my swagger-in-spades, rhyme-writing 14-year-old self finds liberation through hip-hop and r and b attending “music jams” in suburban Victoria. Ironically, Rodney “Darkchild” Jerkins, the producer of this song,and seven others on my album, is responsible for creating a lot of my favourite songs from the 90?s as I eventually realised while examining the plaques his studio walls. When Rodney and I work together, I feel like a child in a playground, uninhibited and happy. We have a great time.”Waiting For The Night”, produced by Rodney “Darkchild” Jerkins, is inspired by a diary I kept as a smitten sixteen-year-old on a summer vacation in exotic S. Miguel, Portugal, my parent’s birthplace.
In “High Life” , also produced by Jerkins, I sing about what happens after all the dreams come true; the crash and burn; the process of running from your hometown to seek “success”, and what happens when you obtain it.The song was partly inspired by a disarming moment I had during a show on the European leg of the Loose tour in 2007.
“Spirit Indestructible”, produced by Rodney “Darkchild” Jerkins, is an ode to the spirit which resides in all of us and triumphs over anything. It is inspired by people I have met, and special moments in history that I have read about. Spirituality is one of the underlying themes on the album. On “Miracles”, produced by Rodney “Darkchild” Jerkins, “Believers”, produced by Bob Rock, and “The Most Beautiful Thing”, featuring the angelic vocals of Sara Tavares, and produced by Salaam Remi, I sing about grace, joy, faith, commitment and ecstasy.
In “Circles”, produced by indie band Passion Pits’ lead singer , Mike Angelakos, and “Bucket List”,produced by Rodney “Darkchild” Jerkins, I meditate on personal relationships and life goals.
On “Something”, I let my voice chill out and ride Salaam Remi’s effortlessly masterful beat and Nas’ classic hip-hop presence.
On the reggae track “Don’t Leave Me” I sing from the perspective of a woman at wit’s end with her love life, to the authentically produced sounds of Jamaica’s own “Di Genius”.
On “Enemy”, produced and arranged by Salaam Remi, I sing about the self-indulgence of self-sabotage, the artist’s lame but habitual escape.
On “Thoughts”, produced by myself and The Demolition Crew, I am joined by my new friends The Kenyan Boys Choir in both English and Swahili.
On the remix of “Thoughts”, my favourite electronic producer/dj, Tiesto, shows his mellow side, brewing the perfect laidback track.
On “Be Ok”, produced by John Shanks with additional programming by The Demolition Crew, Nelstar recording artist Dylan Murray lends his unforgettable voice in a charming, simple duet that only he could pen.
On “End Of The World”, producer Fraser T. Smith lends grace to a simple love song that Rick Nowels and I wrote together.
All of these songs have incredible meaning to me and were written in moments of intense personal growth.
Overall, I would describe this album as raw and honest- a friendly punch in the face.
These tracks combine hard beats with strong, dynamic, sometimes pretty vocals . It’s overall, quite a simple, at times juvenile album that was very liberating to create and gave me immense joy.
I hope you enjoy it too!