Moderator: tdc2000
It got to #6 there, didn't it? It should be. That's all to do with radio controlling what Americans listen to. The track was too electronic, too cutting edge for radio to give it the attention it deserved. Unlike say Heart Of Glass which broke down the boundaries.Dreams wrote:Iconic record.
It's a shame it isn't represented amongst her other great songs entering the US iTunes chart. At least it's getting the appropriate recognition over in the UK.
Well, before I Feel Love, Donna had only made the top 40 once with Love To Love You Baby, I Feel Love was in a sense the song that was a breakthrough for her as something besides someone who made sensual albums for the discos and bedrooms. Neither A Love Trilogy nor Four Seasons Of Love had a top 40 single in the US, but I Feel Love changed her fortunes here.Blondini wrote:It got to #6 there, didn't it? It should be. That's all to do with radio controlling what Americans listen to. The track was too electronic, too cutting edge for radio to give it the attention it deserved. Unlike say Heart Of Glass which broke down the boundaries.Dreams wrote:Iconic record.
It's a shame it isn't represented amongst her other great songs entering the US iTunes chart. At least it's getting the appropriate recognition over in the UK.
Music Week wrote:Although not previously recognised as such, I Feel Love is actually a UK million seller. OCC data shows that physical sales of the single - number one in 1977, number 21 in 1982 and number eight in 1995 - total 956,400, while subsequent digital sales of 94,520 give the track a grand total of 1,050,920 sales up to close of business on Saturday.
I'm talking from more of a 'how well remembered/celebrated of a classic is it today' standpoint. Of course the song is very critically recognized and loved to this day but it's criminally underrated by the public (which like you say, has a lot to do with American radio's resistance to it, especially in the recurrent sense). I'm not even sure if it managed to make the top 200 on iTunes after her death when it was her biggest seller in the UK by some distance in the days following her death.Blondini wrote:It got to #6 there, didn't it? It should be. That's all to do with radio controlling what Americans listen to. The track was too electronic, too cutting edge for radio to give it the attention it deserved. Unlike say Heart Of Glass which broke down the boundaries.Dreams wrote:Iconic record.
It's a shame it isn't represented amongst her other great songs entering the US iTunes chart. At least it's getting the appropriate recognition over in the UK.