
Moderators: crazyman324, Tiger





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JSparksFan wrote:I saw The Boy In The Striped Pajamas a few days ago with my sister and it was such a heartwarming film. The end will have you in tears.
For the majority of the film, the interviewees’ words serve as accompaniment to the beautiful cinematography and Marley’s timeless classics. The aerial shots of the hills where the acclaimed reggae singer was born, the images of inner-city Kingston where he relocated, and the plentiful live recordings of Bob Marley & The Wailers make the extensive 'Marley' as much a cinematic experience as it is an educational one.
The interviews, mostly of Marley’s close friends and family, contribute to constructing Marley as an almost superhuman figure. Unlike many biographical documentaries, 'Marley' doesn’t choose to reveal some harrowing truth about the musician nor try tiresomely to make sure you know he is human. Rather, the film which Jordan Mintzer of the Hollywood Reporter claims to be “sure to become the definitive documentary on the much beloved king of reggae” continually attempts to make the statement that Marley was something out of the ordinary yet simultaneously just like all of us. And it measures its doses of extraordinary and human to the tee. Scenes of Marley uniting differing Jamaican political groups weave into segments that bring the euphoric back to the realistic – Marley’s lawyer’s memorable comment, for example: “What more do Jamaicans love than a man who’s just survived a gunfight?”
Marley’s connection to his music, his lack of concern as to whether he is viewed as extraordinary or not, becomes the more pressing focus of the documentary. Dealing with such a legendary figure, director Kevin MacDonald reveals reggae as a spiritual endeavor for Bob Marley. The clarification is important. Dreadlocks, Rastafarianism, reggae, ska, are showcased as spiritually significant symbols which have become fads of the alternative (see all the clips of white college kids at Marley concerts). 'Marley' presents the singer as a spiritual leader who constantly tries to reach out and spread the Rastafarian movement, a leader concerned with exactly who his audience is and how he can reach out to them.
The last twenty minutes of the film are absolutely heartbreaking. In case you were wondering if the documentary had done its job well, the inevitable feeling of loss that boils over as the biography reaches conclusion reaffirms what a success 'Marley' is.
The ending is TRAGIC...JSparksFan wrote:I saw The Boy In The Striped Pajamas a few days ago with my sister and it was such a heartwarming film. The end will have you in tears.
'Blue Like Jazz' cleverly spends a lot of its time mocking its possible detractors and less time forcefully thrusting its message at its audience. In this regard, it is an overwhelming success, managing to make the easily-criticized topic of Christianity a fairer conversation. But as a film, the resolution it so blatantly points out seems a bit easy, a bit quick. That, and the whole movie seems unsettlingly unimportant despite dealing with matters of such deep gravity. But it should still be praised because a film that manages to spread any message about Christianity that isn't anti is somewhat of an accomplishment these days.


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