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Queen :: Charts & Sales History

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  • braca
    Here you will find the total collection data of all the films that have entered the top25 weekly in Spain in 2018. ... ulas-2018/
    In €
    1Jurassic World: El reino caído 24.223.178
    2Bohemian Rhapsody 22.153.349
    3Los Increíbles 2 21.147.043
    4Vengadores: Infinity War 20.503.973

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  • braca
    Top 10 Box Office Speelweek 1

    Bezoekers deze week:
    1. Bohemian Rhapsody
    156.581 admissions

    Bezoekers totaal:
    1.526.437 total admissions

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  • braca
    The Netherlands
    Released 2018

    1 Bohemian Rhapsody€ 14.455.264 ... se&id=2018

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  • OutlawTorn
    The Bohemian Rhapsody soundtrack has been added.

    Certifications found in 6 countries for now: ... ginal.html
    + ... 4877808640

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  • braca

    TOP 10 - 9 Enero

    3:59 AM - Jan 10, 2019

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  • braca
    BOX-OFFICE prévisionnel (du 2 au 8 janvier 2019)

    Rang Titre ========== Entrées= Variation hebdo Cumul (Millions

    #9 Bohemian rhapsody 120 000 ===== - 35 % ==== 4,045

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  • braca
    Week Total Box Office
    New Zealand: Thu 3rd Jan 2019 - Wed 9th Jan 2019

    7.Bohemian Rhapsody $219,504 ... s-it-again

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  • braca
    Week Total Box Office
    Australia: Thu 3rd Jan 2019 - Wed 9th Jan 2019

    5. Bohemian Rhapsody $2,469,461 ... ll-trained

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  • braca

    Bohemian Rhapsody picks up 7 BAFTA nominations.

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  • braca
    Non cambia la classifica nell'ultimo giorno che precede l'arrivo dei nuovi film della settimana: Aquaman (guarda la video recensione) resta in testa con 253mila euro, che portano il suo totale a 6,8 milioni di euro, mentre il podio è completato dal solito Bohemian Rhapsody (guarda la video recensione), che ieri ha sfiorato i 200mila euro ed è arrivato a 23,8 milioni di euro (e 3,3 milioni di spettatori)
    It does not change the ranking on the last day before the arrival of the new films of the week: Aquaman remains in the lead with 253 thousand euros, which bring its total to 6.8 million euros, while the podium is completed by the usual Bohemian Rhapsody, which yesterday reached almost 200 thousand euro and reached 23.8 million euro (and 3.3 million viewers)

    Bohemian Rhapsody è 2° in classifica al Box Office, ieri ha incassato € 189.620,00 e registrato 33.032 presenze

    Box Office Italia del 9/01/2019
    1. Aquaman: Euro 253.866
    2. Bohemian Rhapsody: Euro 189.620
    3. Ralph Spacca Internet: Euro 151.724
    4. Van Gogh - Sulla soglia dell'eternità: Euro 141.593
    5. Moschettieri del Re - La penultima missione: Euro 78.204
    6. Vice - L'Uomo nell'Ombra: Euro 68.292
    7. La befana vien di notte: Euro 64.054
    8. Il ritorno di Mary Poppins: Euro 47.098
    9. Suspiria: Euro 46.616
    10. Amici come Prima: Euro 28.974

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  • braca
    replied ... rea-k-pop/


    South Korea may seem like an unlikely answer for the question, "Which country’s people have been the most enthusiastic viewers of Bohemian Rhapsody?" Yet Korea is a place that surprises: Recent industry data reveals the film sold more than 9.4 million tickets with a total box office haul of $72 million, making the country the top non-U.S. market for the Queen biopic that just won two Golden Globes. (Yes, that means the movie about Queen was more popular in South Korea than it was in the United Kingdom, where the band is from.) The popularity is even more staggering when considered on a per capita basis: U.S. revenue for Bohemian Rhapsody was slightly less than three times that of South Korea’s, but the U.S. has a population more than six times greater than Korea.

    Yet the numbers alone do not do justice to how popular the movie is in Korea. Multiplex theaters in Korea offer "sing along" screenings, in which the audience can sing, clap, and stomp their feet to the band's seminal hits "We Will Rock You" and "We Are The Champions." Across the country, it was not uncommon to see year-end parties in which attendants dressed up (or down, actually) in Freddie Mercury’s iconic white sleeveless shirts, with the whole party singing "Bohemian Rhapsody." International fans of Korean pop culture became perplexed as their favorite singers suddenly started covering Queen’s discography on music programs and variety shows.

    How did a biopic about Queen come to be so popular in an East Asian country? As it is the case with all viral hits, the reason for the movie’s popularity in Korea is not reducible to a single factor. It helps that, on a per capita basis, South Korea is the world’s highest-attending film territory, and also a country that runs 24 hours a day, where it is common for filmgoers to return to the theater three, four, or five times to re-watch the movie they liked. (At Megabox COEX, a multiplex located in Seoul, the first screening typically begins at 8 a.m., and the last screening begins at 2 a.m. the next day.) In other words, when a movie goes viral in South Korea, it really goes viral. Also, music-themed movies tend to punch above their weight in Korea, a country with a highly-developed taste for pop music and karaoke. Further, it is obviously a factor that Queen was quite popular in South Korea during the band’s heyday — just as much as ABBA’s lingering popularity in South Korea propelled the 2008 Mamma Mia! movie into a viral hit, launching the trend for sing-along screenings.

    But these explanations all fall short of answering the core questions: Why Queen, and why Bohemian Rhapsody? For it is not the case that every music-themed movie succeeds in Korea. The N.W.A. biopic, Straight Outta Compton, is the second-most successful music biopic ever(trailing Bohemian Rhapsody), and earned far more critical praise in the U.S., depicting a group that is no less iconic than Queen. Yet it did merely fine in Korea, never reaching the same level of virality, despite being released just three years earlier than Bohemian Rhapsody. And while Queen was indeed popular in Korea in the late 1980s and early 1990s, it does not explain the movie’s appeal to the young Koreans who were too young or too not-yet-born to see the band in action.

    Ultimately, the answer is simple: the movie is popular in Korea because Queen’s music and performance resonate with the major themes in Korean pop music. For a comparable example, consider PSY’s "Gangnam Style." Although PSY was a complete cipher to the U.S. audience in 2012, "Gangnam Style" took America by storm. Of course, PSY’s humorous looks, his signature horsey dance, and absurdist music video are all a part of the reasons why "Gangnam Style" became a viral hit. But "Gangnam Style" also presented something familiar: an EDM tunereminiscent of LMFAO, the mainstream U.S. sound at the time. Americans liked "Gangnam Style" because it was a twist on something familiar. The same is true with Koreans and the Queen biopic: Koreans like Bohemian Rhapsody because it presents something familiar, because there is something about Queen that reminds them of Korean pop music.

    And Queen presents something familiar to Koreans because a significant part of Korean pop music was shaped after Queen’s music and frontman Freddie Mercury’s stage presence.

    The foundation of today’s K-pop was laid in the late 1980s, which opened an era that came to be known as the "golden age" of Korean pop music. In many ways, this era serves as the wellspring of inspiration for today’s K-pop idol groups as this era's tunes are the ones in which they grew up, and the ones their producers had been making. South Korea’s democratization in 1987, followed by the Seoul Olympics in 1988, opened the field for all types of pop music to flourish. A hugely diverse array of genres, ranging from pop, ballad (soft rock), hip-hop, trot, and adult contemporary, all had a meaningful presence in the mainstream. For the Korean pop musicians of the late 1980s and 90s who considered themselves rockers, the contemporary U.K. progressive rock musicians such as Pink Floyd and Queen were the gold standard to emulate. Deulgukhwa, for example, is considered one of the most iconic rock bands in Korean pop music history, and it is impossible to listen to their "Oh You are a Beautiful Woman" ["? ??? ???? ??"] without being reminded of Queen’s "Love of My Life."

    Queen’s music found popularity in Korea as it collected an eclectic genre of music and presented through the format of pop-rock. This methodology behind Queen’s music is the same as the one behind modern K-pop’s inclination toward genre-bending music. Queen’s influence was particularly pronounced in Shin Hae-chul, one of the most important figures in Korean pop music history. Having debuted in 1988 as a member of a college band, Shin led an illustrious 26-year career as musician and producer, primarily in rock music. Shin’s emulation of Queen goes beyond his band N.EX.T's album jacket art or one of the albums being titled "Space Rock Opera." Shin’s innovative use of synthesizers is directly traceable to Queen, and in turn influenced the K-pop artists and producers who followed his path.

    But arguably, Queen’s stage performance exerted an even greater influence on K-pop’s development. The glam rock trend led by David Bowie, in which music is presented not only through sound but also through stage design, choreography, costume, hair, etc., has significantly influenced Korean pop music, leading to the modern K-pop trend that focuses on the visual presentation as much as the aural. Freddie Mercury’s charismatic stage presence — an apotheosis of the glam rock trend — left a deep impression on Korean pop musicians in the early 1990s, as they were beginning to put on arena shows of their own. Shin constantly sought to emulate Queen’s stage for his own concerts. PSY has said Freddie Mercury was his inspiration.

    This trend has traveled down in the development of Korean pop music, and can be seen today in modern K-pop as well. Unlike their counterparts in, say, Japanese pop music, the idol groups in K-pop tend to focus on daring visual presentation. In particular, K-pop idol groups from SM Entertainment such as EXO and SHINee have been the faithful followers of the glam rock tradition — with gender-bending makeup and costumes, all while emanating charisma throughout a large arena. The same is true with BTS, who also make effective use of the baroque and mythical visuals that Mercury often favored. In fact, these idol groups' lush visual presentation has been a major factor in modern K-pop’s international success.

    Not frequently appreciated, however, is how the K-pop idols are finding success as heirs of Freddie Mercury.

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  • rocker99
    25 All time chart in Poland – Polish Radio Nr 3.
    Place in 25TWC (Place in 24TWC). Song.
    #1 (2). Queen - BOHEMIAN RHAPSODY
    #24 (40). Queen - THE SHOW MUST GO ON
    #44 (64). Queen - INNUENDO
    #81 (104). Queen - WE ARE THE CHAMPIONS
    #92 (125). Queen - WHO WANTS TO LIVE FOREVER
    #117 (138). Queen - I WANT TO BREAK FREE
    #122 (154). Queen - WE WILL ROCK YOU
    #123 (209). Queen - SOMEBODY TO LOVE
    #125 (189). Queen - RADIO GA GA
    #150 (295). Queen - ANOTHER ONE BITES THE DUST
    #187 (286). Queen - I WANT IT ALL
    #193 (264). Queen - THESE ARE THE DAYS OF OUR LIVES
    #254 (509). Queen - KILLER QUEEN
    #650 (798). Queen - LAS PALABRAS DE AMOR


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  • Lawyeris
    The soundtrack to Queen biopic Bohemian Rhapsody lands at #1 in its eleventh week in the ARIA Top 50 Album Chart.
    1 Bohemian Rhapsody (The Original Soundtrack) Queen (Gold) previous 2 weeks 11 peak 1
    4 Greatest Hits Queen (Px 15) 5, 152, 2
    5 The Platinum Collection Queen (P) 7, 41, 5
    27 Greatest Hits II Queen (Px 8) 30, 36, 4

    31 Bohemian Rhapsody Queen 38, 47, 1

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  • slightlymad
    Originally posted by innocenteyes
    Australian Year End Albums Chart:

    5. Bohemian Rhapsody OST
    8. Greatest Hits
    15. The Platinum Collection ... bums-chart
    Australian Year End Catalogue Albums Chart:
    1. Queen - Greatest Hits
    3. Queen - The Platinum Collection

    Australian Year End Music DVD Chart:
    1. Queen - Live at Wembley Stadium

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  • braca
    Daily Domestic Chart for Tuesday January 8th, 2019
    Bohemian Rhapsody
    $496,425 +38%
    1,080 T.
    $194,501,262 total gross North Am

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  • innocenteyes
    Australian Year End Albums Chart:

    5. Bohemian Rhapsody OST
    8. Greatest Hits
    15. The Platinum Collection ... bums-chart

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  • Lawyeris
    Title Artist Total Units Corp. Group % Digital % Physical
    1 The Greatest Showman Cast Recording 1,621,905 Warner 48.7% 51.3%
    2 Staying At Tamara's George Ezra 691,332 Sony 29.5% 70.5%
    3 Divide Ed Sheeran 510,305 Warner 59.1% 40.9%
    4 Now That's What I Call Music 100 Various Artists 479,197 Sony/Universal 14.6% 85.4%
    5 Now That's What I Call Music 99 Various Artists 395,237 Sony/Universal 16.9% 83.1%
    6 Mamma Mia - Here We Go Again Cast Recording 374,476 Universal 34.1% 65.9%
    7 Scorpion Drake 300,100 Universal 93.1% 6.9%
    8 Now That's What I Call Music 101 Various Artists 287,217 Sony/Universal 7.2% 92.8%
    9 Beerbongs & Bentleys Post Malone 281,644 Universal 91.9% 8.1%
    10 A Star Is Born Cast Recording 271,635 Universal 35.9% 64.1%
    11 Love Michael Buble 263,538 Warner 6.7% 93.3%
    12 Dua Lipa Dua Lipa 251,280 Warner 65.1% 34.9%
    13 Kamikaze Eminem 232,420 Universal 71.6% 28.4%
    14 Odyssey Take That 231,290 Sony/Universal 7.1% 92.9%
    15 Si Andrea Bocelli 213,321 Universal 5.1% 94.9%
    16 Bohemian Rhapsody - OST Queen 210,306 Universal 35.2% 64.8%
    17 Always In Between Jess Glynne 204,923 Warner 28.2% 71.8%
    18 Blood Red Roses Rod Stewart 196,192 Universal 5.1% 94.9%
    19 Sweetener Ariana Grande 193,362 Universal 61.7% 38.3%
    20 The Architect Paloma Faith 179,716 Sony 22.9% 77.1%
    Source: The Official Charts Company

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  • Lawyeris
    Queen No 9 in USA TOP 100 artists chart (down from 8), 3 weeks at the top, and 36 week in this chart.

    PS I suppose this chart started just from July 19, 2014, 234 weeks till this date in a making. ... Artist_100
    Album chart (TOP 200)
    15 (16) Bohemian Rhapsody, 11 weeks, peak 3.
    42 (58) Greatest hits, 321 weeks, peak 11.
    137 (106) Platinum collection, 125 weeks, peak 9.

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  • theMathematician
    4 (5) Greatest Hits/Platinum Collection 88 weeks (No. 4 for 1 week) *new peak*

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  • Rockintunesbaby
    I agree. I haven't seen The greatest showman or know any of the songs. I still think the BR soundtrack should do pretty well for a while though.

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  • slightlymad
    Originally posted by Rockintunesbaby
    I'm interested to see how the BR soundtrack holds up now that Christmas and the new year is over. I think it has the potential to play out long term, there is material on there that doesn't exist on any other album, most notably the live aid performance and the film is now proving to be a massive global hit. If you look at 'The Greatest showman' soundtrack, it's sold more than 5 million copies in not much more than a year. The BR movie is a bigger hit. We'll see through January I guess.
    The BR soundtrack will, unfortunately get nowhere near The Greatest Showman sales, that is a standalone release of Original Music, BR sales are heavily reduced by the sales of Greatest Hits and The Platinum Collection and the fact that these songs have already sold in there millions. It would be interesting to see the sales of BR, GH and TPC combined for this period in time though!
    Queens performance on iTunes since the release of the film has been insane, they have just been knocked off the top spot by Lady GaGa today, however they have been No1 or No2 for 11 weeks now and sometimes almost double the points off the No2 artist. I know some Queen fans were pessimistic about the movie but it has been an unbelievable success, beyond anyones wildest dreams and has bought a whole new generation of Queen fans to the table. Having been a fan of Queen for almost 40 years I have never known them as popular as this, even the Live Aid / Magic era when they were huge here in the UK.

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  • braca
    replied ... ns-returns

    The gravity defier: Bohemian Rhapsody

    Another week, and another stunning result for Bohemian Rhapsody, which rises 10% from the previous session. This is on top of a 58% rise for the Freddie Mercury biopic last time around. The film grossed £726,000 at the weekend, pushing its tally so far to £48.4m.

    Wins for best picture and best actor in the Golden Globes drama category on Sunday should help sustain Bohemian Rhapsody in the run-up to the Baftas and Oscars. The film enjoys a strong IMDb user rating of 8.3/10, plus a weaker Metacritic score of 49/100, indicating a large disparity between the audience and critical opinion on this title.

    Top 10 films, 4-6 January

    1. Mary Poppins Returns, £4,444,023 from 718 sites. Total: £34,295,862 (three weeks)
    2. The Favourite, £3,973,975 from 538 sites (new)
    3. Aquaman, £1,855,420 from 536 sites. Total: £18,277,630 (four weeks)
    4. André Rieu’s 2019 New Year Concert from Sydney, £1,745,941 from 570 sites
    5. Bumblebee, £1,736,877 from 590 sites. Total: £9,118,933 (two weeks)
    6. Ralph Breaks the Internet, £1,108,768 from 586 sites. Total: £15,874,062 (six weeks
    7. Spider-Man: Into the Spider-Verse, £878,768 from 520 sites. Total: £7,730,537 (four weeks)
    8. Bohemian Rhapsody, £725,271 from 368 sites. Total: £48,404,430 (11 weeks)
    9. Fantastic Beasts: The Crimes of Grindelwald, £365,814 from 272 sites. Total: £33,501,931 (eight weeks)
    10. Holmes & Watson, £351,017 from 429 sites. Total: £2,386,435 (two weeks)

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  • braca
    replied ... -51-6-2019

    Japan Box Office Report – 1/5~1/6 2019

    #Weekend Results (Saturday & Sunday only)
    Ralph Breaks the Internet
    - 229,602 viewers / ¥294,337,800 ($2,710,767)
    Bohemian Rhapsody
    - 228,439 viewers / ¥335,780,000 ($3,092,437)

    #Cumulative Results (at the end of Sunday)
    Bohemian Rhapsody
    - 6,120,000 viewers / ¥8,457,000,000 ($77,886,554)

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  • braca

    A un mese e mezzo dall'uscita il biopic sui Queen non smette di sorprendere e si avvicina ai 25 milioni di euro. 

    A month and a half after the release the biopic on the Queen does not stop surprising and is close to 25 million euros.

    Aquaman (guarda la video recensione) mantiene la prima posizione con 225mila euro e arriva ad un totale di 6,6 milioni complessivi, ma la notizia è che Bohemian Rhapsody (guarda la video recensione) è risalito fino al secondo posto, con 154mila euro ieri ed un dato complessivo che ora ammonta a ben 23,6 milioni di euro. Quota 25 è oramai alla portata del film e poi chissà fin dove potrà arrivare il biopic sui Queen, la maggiore sorpresa del decennio. 

    Aquaman (watch the video review) maintains the first position with 225 thousand euros and reaches a total of 6.6 million overall, but the news is that Bohemian Rhapsody (watch the video review) has risen to second place, with 154 thousand euros yesterday and an overall figure that now amounts to a good 23.6 million euro. Quota 25 is now within reach of the film and then who knows how far the biopic can get on Queen, the biggest surprise of the decade.

    I Golden Globe hanno dato, come se ce ne fosse bisogno, ulteriore spinta a Bohemian Rapsody, che punta agli 800 milioni mondiali entro al fine della settimana, un risultato impensabile alla viglia. In Giappone il film continua a macinare incassi incredibili, ha superato i 75 milioni di dollari e entro la fine del mese sarà diventato il miglior incasso del 2018, superando Code Blue e Detective Conan: Zero the Enforcer.

    The Golden Globes have given, as if it were needed, further push to Bohemian Rapsody, which aims at 800 million worldwide by the end of the week, an unthinkable result. In Japan, the film continues to grind incredible revenues, has exceeded $ 75 million and by the end of the month will become the best collection of 2018, exceeding Code Blue and Detective Conan: Zero the Enforcer

    Bohemian Rhapsody è 2° in classifica al Box Office, ieri ha incassato € 154.485,00 e registrato 25.263 presenze.

    Box Office Italia del 8/01/2019
    1. Aquaman: Euro 225.061
    2. Bohemian Rhapsody: Euro 154.485
    3. Ralph Spacca Internet: Euro 122.952
    4. Van Gogh - Sulla soglia dell'eternità: Euro 105.605
    5. Moschettieri del Re - La penultima missione: Euro 57.064
    6. Vice - L'Uomo nell'Ombra: Euro 55.124
    7. La befana vien di notte: Euro 52.654
    8. Suspiria: Euro 40.271
    9. Il ritorno di Mary Poppins: Euro 38.917
    10. Amici come Prima: Euro 27.670

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  • bestiamodesta
    No.1 Argentina (2 weeks)

    Originally posted by slightlymad
    With the Bohemian Rhapsody Soundtrack currently the 4th biggest selling weekly album on the Media Traffic chart with a combined total of 1,329,000 copies sold to date has anyone kept a record of the albums peak positions around the world? This is what I have found so far, surprisingly low in Germany, although the Platinum Collection is at a new peak of No5 in Germany this week. Obviously sales have been affected by Greatest Hits and The Platinum Collection, if they weren't available this soundtrack might have sold a lot more copies!

    Bohemian Rhapsody Worldwide Chart Performance
    No1 - Australia
    No1 - Czech Republic
    No1 - Greece
    No1 - Mexico
    No2 - Ireland
    No2 - Japan
    No2 - New Zealand
    No3 - Switzerland
    No3 - UK
    No3 - USA
    No4 - Canada
    No4 - Portugal
    No5 - Belgium
    No5 - Holland
    No5 - Spain
    No6 - Italy
    No7 - Austria
    No9 - France
    No11 - Denmark
    No14 - Norway
    No19 - Finland
    No21 - Germany
    No21 - Sweden

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