Originally posted by trebor
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Music In The 1980s - Lesser Known Hits
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Nothing against it because it improves information. For many songs it is more complicated because they have only entered in a few countries.
Some are only worthy of a footnote and may not appeal to a wide audience.
A simpler model could make anyone's contributions easier. But different types of contributions can coexist.
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STATE OF THE NATION by Industry
Australia
21 May 1984 - #78 - 5 weeks
Italy
Musica e Dischi: 3 March 1984 - #1 (3) - 22 weeks
TV Sorrisi e Canzoni: 11 March 1984 - #3 - 25 weeks
RAI Hit Parade: 5 May 1984 - #2 - 15 weeks
Portugal
Música & Som: July 1984 - #5 - 4 months
Sweden
Topplistan: 7 February 1984 - #10 - 4 weeks
USA
Billboard: 19 November 1983 - #81 - 8 weeks
Cash Box: 26 November 1983 - #79 - 8 weeks
Truly surprised this great and very catchy song didn't take off in more countries. OK, the US didn't really support the home-grown synth stuff - but Europe could have been much more welcoming. Very strange how this one charted in Italy and Sweden - probably the opposite countries (in attitudes, that is) of the continent. There must be a reason for this, surely!
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^ Never heard it I don't think, but I'm ashamed to say, it's bang-up my alley! Completely forgettable trash really, with dubious lyric-writing - are we sure they were American? It sounds like one of those songs where it's foreign but the words have been awkwardly-transposed into English! No 1 splash in Italy I see. There were many tracks around like this at that point and some made it while others didn't despite fair promotion - I call it 'Seona Dancing' syndrome - but whatever. Thanks for sharing; getting my fix of eightiesness each day while in Covid-19 lockdown is equally important as my fix of exercise!
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That's when I feel blessed not being a native English speaker - I can happily ignore lyrics and enjoy the song as a whole, treating vocals as simply another instrument
Actually, no I couldn't now - my grasp of English is too good for this. Which actually marred my enjoyment of some types of music. My absolute favourite band for years was Modern Talking - but when I started to understand the words, it all dulled very quickly
Speaking of Industry, yes, very lightweight - and I remember having a hard time getting through their album: so saccharine and sweet and cutesy I practically gritted my teeth. Imagine my astonishment when I discovered their early stuff - which is a melange of post-punk (the US brand of it - for they were from North America!), minimal synth and even something experimental! They had quite a different line-up then, though. The singer in this hit, Jon Carin, had a fantastic twist to his carrier later, when he went on to play with Pink Floyd of all bands and co-wrote their great song "Learning to fly"!
Now, let's see another bit of, you can say, Euro-cheese - a collaboration between Harold Faltermeyer, already mentioned on sister thread, and the former actor from "Dynasty". Reasonable initial success with an inevitable slide - and even this biggest hit is not quite right to me. But still a nice piece of 1980s Europop history.
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SQUARE ROOMS by Al Corley
Austria
Der Musikmarkt: 1 April 1985 - #15 - 6 weeks
Belgium
BRT Top 30: 30 March 1985 - #24 - 3 weeks
Het Belgisch Hitboek: 30 March 1985 - #25 - 4 weeks
Denmark
12 January 1985 - #4 - 7 weeks
France
5 January 1985 - #1 (5) - 27 weeks
West Germany
3 September 1984 - #13 - 17 weeks
Italy
Musica e Dischi: 9 February 1985 - #16 - 7 weeks
TV Sorrisi e Canzoni: 10 February 1985 - #17 - 15 weeks
RAI Hit Parade: 23 February 1985 - #11 - 7 weeks
Switzerland
23 September 1984 - #6 - 10 weeks
USA
Billboard: 11 May 1985 - #80 - 5 weeks
Cash Box: 18 May 1985 - #84 - 3 weeksLast edited by Passing_Stranger; Thu April 2, 2020, 03:17.
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Originally posted by Robbie View PostThe Al Corley track started well, the music in the intro is quite good. But the vocals are poor and somewhat spoil the song.
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anpt, what a spectacular Top 20! Nearly every song is a pop classic! Unthinkable nowadays (though the charts changed beyond recognition, too)...
Gambo, both "Dynasty" and "Dallas" were shown in Russia in late 1990s. I somehow chanced upon the former and got sucked in for some reason (perhaps Heather Locklear... Yes, now I remember it was the one where she appeared at the family's house - and it's was a combination of her looks and a desire to know what happened nextThen Joan Collins and her character's antics...). "Dallas" I didn't really warm to, felt it was a bit timid next to "Dynasty". I remembered Al, though, and was hugely surprised to find he went on to a notable (for a season, at least) pop carrier. He released not one, but three albums during the mid-to-late 1980s! With rapidly diminishing returns, yes, but still.
And, Metalweb, I agree, he should've cut down on physical expressions (and maybe get a course on singing to boot) - but that must be actory thing. I'd much prefer less unnecessary movement, though.
Now, let's see how the next song fares
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SAMURAI by Michael Cretu
Austria
Der Musikmarkt: 1 October 1985 - #3 - 12 weeks
Ö3-Hitparade: 15 September 1985 - #7 - 10 weeks
Finland
10 November 1985 - #5 - 5 weeks
Italy
Musica e Dischi: 1 June 1985 - #7 - 19 weeks
TV Sorrisi e Canzoni: 23 June 1985 - #7 - 17 weeks
RAI Hit Parade: 20 July 1985 - #4 - 11 weeks
Portugal
15 February 1986 - #11 - 9 weeks
Sweden
Topplistan: 12 July 1985 - #4 - 8 weeks
Trackslistan: 17 August 1985 - #6 - 5 weeks
Switzerland
8 September 1985 - #2 - 12 weeks
West Germany
28 October 1985 - #12 - 14 weeks
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^
Another mid 80s generic sounding Euro track! Actually it's not too bad though I don't think I could listen to it too often. Three years after this track was a hit all over continental Europe he formed Enigma and the rest, as they say, is history.
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This was the only significant solo hit from Michael - but not only he released very good solo records (I recommend his albums from 1983 and 1985 first and foremost), he's also a very successful producer. Interesting how 1985 gave such a big breakthrough to a couple of the biggest producers Germany produced - him and Dieter Bohlen. Cretu may seem second to Bohlen, but actually is much more successful in the long run - his Enigma project was massive worldwide, while Bohlen's successes were mainly limited to Europe. He also managed to get the most beautiful female of pop music, Sandra, for his wife - so it's actually an incredible set of achievements from humble Romanian refugee! I admire him, actually.
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I Wanna Be A Cowboy by Boys Don't Cry
Australia
16 June 1986 - #4 - 19 weeks
Belgium
Het Belgisch Hitboek: 19 July 1986 - #20 - 2 weeks
Canada
RPM: 12 April 1986 - #19 - 21 weeks
The Record: #15 - 14 weeks
West Germany
1 September 1986 - #41 - 7 weeks
Israel
22 June 1986 - #12 - 4 weeks
New Zealand
13 July 1986 - #1 (3) - 15 weeks
South Africa
26 October 1986 - #11 - 16 weeks
UK
Music Week: 7 June 1986 - #77 - 4 weeks
USA
Billboard: 5 April 1986 - #12 - 19 weeks
Cash Box: 19 April 1986 - #13 - 17 weeks
Radio & Records: 2 May 1986 - #13 - 9 weeksLast edited by Passing_Stranger; Wed April 22, 2020, 16:16.
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Now this is truly abysmal! The sort of naff record and image that unfortunately those who are anti-eighties by default assume most records sounded like! Perhaps people found it amusing? Just goes to remind us that there's no justice on musicality in chart positions; how could this register a Top 100 placing in the UK when the previous examples didn't?! Okay it only attained a compressed 'next 25' position, so there's the mild comfort of knowing this probably never was as high as the 77th bestselling single any week in truth, but really, No 1 in NZ, No 4 in Australia, No 12 in the USA, No 19 in Canada?!! So happy this passed me by at the time. Next please!
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