I guess that dance tracks such as Jingo sustained their popularity by being played at clubs & discos (although I have to admit I had never heard, or even heard OF 'Jingo' until several months ago when I noticed it was one of the enduring 'bubblers' and decided to give it a listen. Pleasant enough, I thought, but it didn't immediately scream "classic" at me....)
Marillion built up their fanbase by consistent touring, and I imagine they sold a fair few records to satisfied gig-goers. I think 'Market Square Heroes' and its B-side were both non-album tracks, which probably helped too.
(In fact, it might be interesting to plot the links between bands' tour dates and the reappearance of their singles in these charts?)
I always thought that U2 missed a trick in '85: If they had rushed into a studio and brought out a new single straight after Live Aid, I bet they could have had their first No.1. Instead, they were right at the tail-end of the 'Unforgettable Fire' period.
Tracks like 'Jimmy Mack' could have been popular in Northern Soul clubs?
...But the endurance of Ann Breen's 'Pal' still stumps me! How (and to whom) was it marketed? Was it played in Irish Centres up and down the country? I've seen ladies take the microphone and give heart-tugging renditions of 'Danny Boy' with tears streaming down their faces, and so I can see it's appeal, but somehow 'Pal' doesn't quite seem to be in the same league, I wouldn't have said anyway.
Marillion built up their fanbase by consistent touring, and I imagine they sold a fair few records to satisfied gig-goers. I think 'Market Square Heroes' and its B-side were both non-album tracks, which probably helped too.
(In fact, it might be interesting to plot the links between bands' tour dates and the reappearance of their singles in these charts?)
I always thought that U2 missed a trick in '85: If they had rushed into a studio and brought out a new single straight after Live Aid, I bet they could have had their first No.1. Instead, they were right at the tail-end of the 'Unforgettable Fire' period.
Tracks like 'Jimmy Mack' could have been popular in Northern Soul clubs?
...But the endurance of Ann Breen's 'Pal' still stumps me! How (and to whom) was it marketed? Was it played in Irish Centres up and down the country? I've seen ladies take the microphone and give heart-tugging renditions of 'Danny Boy' with tears streaming down their faces, and so I can see it's appeal, but somehow 'Pal' doesn't quite seem to be in the same league, I wouldn't have said anyway.
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