Janet Jackson

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Favourite Videos (Part 3)

Doesn't Really Matter
19
12%
All For You
31
19%
Someone To Call My Lover
14
9%
Son of a Gun (feat. Missy Elliott)
21
13%
Feel It Boy
0
No votes
Just a Little While
2
1%
I Want You
5
3%
All Nite (Don't Stop)
23
14%
Call On Me (feat. Nelly)
3
2%
So Excited (feat. Khia)
3
2%
Feedback
12
7%
Rock With U
10
6%
Make Me
2
1%
Nothing
0
No votes
No Sleeep
11
7%
Dammn Baby
5
3%
 
Total votes : 161

Postby Yoshie » Tue Nov 07, 2017 7:30 pm

If there's one thing that Janet knows how to do vocally, it's harmonise. Her harmonies are heavenly and like no other.
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Postby Wayne » Wed Nov 08, 2017 9:30 pm

She's passed the $10m mark as far as reported shows for her new tour are concerned! 8-)
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Postby Wayne » Wed Nov 08, 2017 9:30 pm

Image
Image

1982 - Janet Jackson
1984 - Dream Street
1986 - Control
1989 - Janet Jackson's Rhythm Nation 1814
1993 - janet.
1997 - The Velvet Rope
2001 - All For You
2004 - Damita Jo
2006 - 20 Y.O.
2008 - Discipline
2015 - Unbreakable


ROUND 1 :
This round will last for 3 days - we will lose 4 albums.

ROUND 2 :
This round will last for 3 days - we will lose 4 albums.

ROUND 3 (FINAL ROUND) :
This round will last for 3 days - you will decide your winner based on the final 3 albums.

ACTION: vote out your THREE least favourite albums.

CLICK HERE TO TAKE PART!
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Postby Bojan » Thu Nov 09, 2017 3:07 pm

Man Sues Production Company for $1 Million, Claims Janet Jackson’s ‘No Sleeep’ Video Shoot Damaged His Home

The production company responsible for producing Janet Jackson’s “No Sleeep” music video is being sued for over a million dollars. A man claims the shoot caused extensive damage to his home.

via TMZ:

David Tate claims a music vid production company, Zanmi Films, used his house in July 2015 to film Jackson’s vid, and agreed to cover any damages they might cause. After shooting the vid, Tate claims he noticed extensive damage to his floors and walls caused by the production crew.

According to the docs … he had to fork over the money for repairs and also move out of his crib for 14 days, but hasn’t been compensated for his troubles.

He’s asking for over a million dollars in damages.

Janet Jackson didn’t do anything but tip toe around the house and have seats for that entire video, so it’s hard to envision the production company causing THAT much damage — but you never know.
https://www.lovebscott.com/news/man-sue ... maged-home
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Postby Bojan » Fri Nov 10, 2017 12:49 am

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Postby Bojan » Fri Nov 10, 2017 4:03 am

Honored at OUT100 celebration gala.

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Last edited by Bojan on Fri Nov 10, 2017 7:54 am, edited 5 times in total.
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Postby Bojan » Fri Nov 10, 2017 4:40 am

Here's the whole speech:


And here's the cutest part:
https://www.instagram.com/p/BbTNudbD9Pv/

:P
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Postby Benjamin » Fri Nov 10, 2017 8:25 am

She looks so youthful! :o 8-)
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Postby Pawlu84 » Fri Nov 10, 2017 8:56 am

I don't like the look.
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Postby spiritboy » Fri Nov 10, 2017 7:51 pm

Very nice speech.
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Postby JJeffs » Fri Nov 10, 2017 7:53 pm

Fierce, ma! Love the look and the words.
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Postby Bojan » Fri Nov 10, 2017 8:23 pm


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Postby Yoshie » Fri Nov 10, 2017 8:28 pm

She looks glorious, looking every bit like the Queen she is. 8-)
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Postby CanYouKeepUp » Fri Nov 10, 2017 11:04 pm

Not a fan of the look and her face doesn’t look natural at all :( What happened...
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Postby Bojan » Sat Nov 11, 2017 2:14 am

With DJ Aktive today.

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Postby BlueScorpion » Sat Nov 11, 2017 2:37 am

Looking good today.
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Postby woabritney » Sat Nov 11, 2017 3:07 am

I teared up watching that speech, YAS Janet!

Also, she looks incredible -- but that makeup is a big NO! She looks like a sphinx :o

Tone it down with the makeup, she is a gorgeous woman!
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Postby Bojan » Sat Nov 11, 2017 5:05 am

Entertainment Tonight just compared J. Lo's new video to All For You, only because of subway and crop top. :-?
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Postby jochen » Sat Nov 11, 2017 8:49 am

New j. Lo where?
YOU cant blame nobody but YOU
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Postby red3269 » Sat Nov 11, 2017 11:45 am

Her makeup was a bit harsh but it complemented the edgy ensemble she wore so i think all in all she slayed that lewk :)
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Postby Bojan » Sun Nov 12, 2017 2:52 pm

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Postby beredy » Sun Nov 12, 2017 10:00 pm

WTF. That's stretching.
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Postby Bojan » Mon Nov 13, 2017 8:07 am

Haha, I know. :lol:
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Postby Bojan » Mon Nov 13, 2017 8:10 am

Janet Jackson’s “Doesn’t Really Matter” Music Video Saw the Future
The New Yorker • November 20, 2017 Issue

Having worked from the future for so long, Jackson has earned the right to live in the present.

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Just after Halloween, Sony announced that a new model of Aibo, the beloved robot pup that swept holiday seasons at the turn of the millennium, would be available in Japan next year. The original Aibo, released in 1999, recognized its owner, responded to orders, and performed tricks that mimicked the movements of a real dog. It became something of a pop-culture icon, a kitschy symbol of the consumer-tech future we clawed toward then, and which we seem to have reached today: in a world where Siri and Alexa are always listening for your next command, what’s novel about a rechargeable pet? If we’re lucky, Aibo’s return means we’re closer to the bulbous, pastel metropolis conjured by Janet Jackson in one of the most forward-leaning music videos of its time, “Doesn’t Really Matter,” from 2000, in which the plastic canine crossed over to MTV, and the video director Joseph Kahn sparked a decade of pop aesthetics.

“Doesn’t Really Matter” was Jackson’s awaited comeback single, after the success of 1997’s “The Velvet Rope.” She wrote the song with her longtime producers, Jimmy Jam and Terry Lewis, during the filming of “The Nutty Professor II: The Klumps,” a slapstick romantic comedy in which Jackson plays the love interest to Eddie Murphy in a fat suit. She thought the song fit the film’s plot, about falling for someone for who they are, not what they look like; it was the track’s minimalist pitter-patter and Latin flourishes that caused radio jockeys to put unfinished leaked versions in rotation before the film’s soundtrack was released. In the $2.5-million music video, Jackson wakes up in a Tokyoesque studio apartment, where gadgets make up for a lack of floor space: her closet whirls out colorful, rave-ready ensembles while Aibo watches TV (apparently, we couldn’t foresee flat-screens just yet). The project further raised Kahn’s profile—in footage captured for MTV’s “Making the Video,” Jackson playfully notices Kahn’s comfort in front of the camera—and got him gigs directing seminal videos for Britney Spears (“Toxic”) and Eminem (“Without Me”). His latest credit, for Taylor Swift’s “Look What You Made Me Do,” similarly bears his world-building thumbprint. Watch closely and you’ll see a kitty flash on an L.E.D. screen.
https://www.newyorker.com/magazine/2017 ... the-future
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Postby Benjamin » Mon Nov 13, 2017 9:20 am

beredy wrote:WTF. That's stretching.
Indeed :lol: That said, I'd like to think of this video as an hommage to Janet.
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