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Thread: Taylor Swift | Red

  1. #376
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    by » 23-10-17, 07:13

    Quote Originally Posted by JSparksFan
    Ah, it's been five years already? It's a terrific album, one of her finest efforts to date. The title track is one of the best songs she's done, and the deluxe edition songs are amazing.
    Yes, it has, time really flies, doesn't it ? I agree, probably my favourite Taylor record at the moment.
    Whitney Houston

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    by » 08-11-17, 19:27

    This album is great but it’s especially nice listening to it during the fall season
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    by » 08-11-17, 19:30

    Quote Originally Posted by MusicRecords
    This album is great but it’s especially nice listening to it during the fall season
    Yep, this album is PERFECT for the fall. Not just because it was released that season but the albums whole aesthetic centers around it. One of the best album photoshoots ever

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    by » 08-11-17, 19:31

    Quote Originally Posted by Biebz
    Quote Originally Posted by MusicRecords
    This album is great but it’s especially nice listening to it during the fall season
    Yep, this album is PERFECT for the fall. Not just because it was released that season but the albums whole aesthetic centers around it
    Like the colors in autumn so bright, just before they lose it all

    Why is this in the retro section? :-? thought it was 10 years and on for threads to be here..
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    by » 08-11-17, 20:30

    Billboard spilling some tea...

    Why Taylor Swift's 'Red' Is Her Best Album

    Some albums we love not because of what they are but because of who we were when we first heard them. I didn't know that I needed Red as urgently as I did, that I needed all those big bright empathetic swells of feeling, and it feels a little dramatic even to use the vocabulary of need to talk about what is, after all, just a pop record. But I did -- I needed it. I was young and lost and the world seemed like an inhospitable place for someone like me who felt things so deeply.

    Now, a few years later, it would be easy to hide behind a veil of disaffected impartiality, or to temper my enthusiasm, but this is the truth: As good as Red is -- and it's really good -- I don't have a mite of critical detachment to evaluate it on its merits. Not when listening to it is like boarding a time machine to a moment when I was on the cusp of adulthood and everything felt broken and this album whispered in my ear, Same.

    hat's an intense thing to say, but Taylor Swift is pretty intense, right? She always has been -- even in the beginning, when she was accusing a flattering beau of lying to her face in the opening lyrics of "Tim McGraw." And now, all these years later, she's still out for blood on the clattering "Look What You Made Me Do," her most menacing song yet -- and this is an artist, remember, who once characterized herself as a "nightmare dressed like a daydream." Yet those of us who love her do so not despite this quality but because of it; this relentless pursuit of the highest and most deeply felt emotions, desire and rage and joy and disillusionment and regret and abandonment and wild irrational love. Say what you will about Swift but she's never half-assed expressing her feelings, or feeling them. That's why she's my favorite pop star: Nobody feels things more fiercely.

    And that's why her Red is her best album, because it's the album where she most effectively lays bare her emotional life in all its messy complexity. And while there are cases to be made for all of her records -- the precocious perceptiveness of her debut and the sonic cohesion of Fearless and the singular authorship of Speak Now and the razorlike clarity of 1989 -- in this house we stan Red. It captures the experience of being young and coming into your own emotional power, the way that opens you up to both elation and anguish, and how volatile it can feel to swing from one extreme to the other. There is a lyric on the opening song, "State of Grace," where she sings, "This is the golden age of something good and right and real." What a statement -- the unabashed grandiosity of it. But when she sang it, I believed her.

    The greatest moments on Red aren't the obvious ones. Certainly "We Are Never Ever Getting Back Together" is an unimpeachable smash, and it too is a case study in hyperbole, from that extra "ever" in the title (in the title!) to the high drama of Swift groaning, "This is exhausting." Red marked the first time that Swift teamed up with the Swedish writer and producer Max Martin, and her work with Martin and acolyte Shellback made the hooks catchier than they'd ever been before. "I Knew You Were Trouble" sounds like the biggest song in the world being played underwater, that breathless dubstep-lite bounce a middle-finger to country-radio programmers, and it's impossible, too, to resist the millennial pink fizz of "22" and its neutered naughtiness, like the soundtrack to shoplifting from a suburban Claire's. Songs like these are a forever summer, and on them Swift sounds more youthful than she did when she was an actual teenager.
    No, the beating heart of Red are the songs Top 40 never touched. "All Too Well," the album's best offering and her finest work as a songwriter, is a portrait of lazy autumn afternoons in bucolic upstate towns; it starts as a love song, spangled with heart-scratching details, and then you sit back and watch as it curdles in her mind's eye. Plaid shirt days and nights spent dancing around the kitchen in the refrigerator light turn to scorched-earth agony. Swift was always popular music's most gifted memoirist but here she breaks the fourth wall; it's a song about memory, but more than that, it's a song that interrogates the ritual of remembering. Watch the way she pivots from past to present tense in that shattering bridge, making the pain of the memory immediate -- that perfect sleight of hand.

    That song alone would make Red her best album, or pretty much anyone's, but my favorite song here is actually “Holy Ground," which doesn't sound like anything else in her catalog. It's insistent and urgent, a twangy guitar riff looped over a punchy aerobic drum pedal, and her vocals sound a little bit strained, and as it throbs and lurches along toward the two-minute mark, the instrumentation suddenly drops out and she sings maybe her most perfect couplet ever: "Tonight I'm gonna dance for all that we've been through / But I don't wanna dance if I'm not dancing with you." If that doesn’t move you on the page, go listen to it and try not to feel something.

    Listen -- Swift knows this is a handful. She knows it's bonkers that on the bridge of "Treacherous," she threatens to follow a dude home. There's literally a song on this record called "Sad Beautiful Tragic." Even on Red's perkiest tune, the featherweight "Stay Stay Stay," she sings, "I'd like to hang out with you for my whole life." If you've ever watched a first date start scanning the restaurant for the nearest available exit when it dawns on him that you've already started redecorating his apartment in your head -- wow, have I got an album for you.

    Of course it's dramatic, but that's why it's so extraordinary. And as ever, it's tempting to write it all off as pure histrionics; so often we diminish the stories of young women who share their experiences in love and life, because their power frightens us. But Red didn't go quadruple Platinum because Swift’s songs are catchy. It's because, as a writer, she chose to share something vital—something I felt in myself but could not name until I heard these songs. Do you know what it's like to feel things this intensely, to have reserves of joy and sorrow so deep that sometimes it feels like they might swallow you whole? Do you?
    http://www.billboard.com/articles/colum ... best-album

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    by » 08-11-17, 20:48

    Omg I? swear it’s some kind of scam

    I’ve been seeing “Why (album) is Taylor Swift’s best album...”

    saw an article for her first album and for fearless
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    by » 08-11-17, 20:55

    Quote Originally Posted by MusicRecords
    Omg I? swear it’s some kind of scam

    I’ve been seeing “Why (album) is Taylor Swift’s best album...”

    saw an article for her first album and for fearless


    "In celebration of Taylor Swift's singular pop catalog in the days leading up to the release of her sixth LP, Reputation, this Friday (Nov. 10), Billboard asked five writers to argue for one of her five studio albums as her best."

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    Quote Originally Posted by SawyerHewitt
    The raw emotion Kween conveys when belting out WBT's climax>>>>>>>>>>>>>>>
    A MOMENT IN MUSIC HISTORY.

  9. #384
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    by » 09-11-17, 21:41

    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    | Ciara | Beyoncé | Janet | Toni | Kelly R | Leona | Tinashe | Whitney | Brandy | Monica | Tevin | Mariah | Britney | Tamia |

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    by » 09-11-17, 21:42

    Quote Originally Posted by Guru
    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    Rules were recently changed: it's 5 years now. So the genre forums can be more current.

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    by » 09-11-17, 21:44

    Quote Originally Posted by Benjamin
    Quote Originally Posted by Guru
    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    Rules were recently changed: it's 5 years now. So the genre forums can be more current.
    My bad. Ok. Fanks honey. I’m back to speaking engrish
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    by » 10-11-17, 18:40

    Quote Originally Posted by Benjamin
    Quote Originally Posted by Guru
    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    Rules were recently changed: it's 5 years now. So the genre forums can be more current.
    I figured...
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    by » 10-11-17, 18:40

    Treacherous is a low-key bop

    and im finally getting into All Too Well
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    by » 10-11-17, 19:14

    "Treacherous" is very underrated and reminds me of her early days.
    You ain't gotta break down,
    YOU'RE TOO STRONG!"
    ?

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    by » 10-11-17, 20:26

    I didn't buy this album until after I heard 1989, which is very much when I became a bigger fan of Taylor, so I didn't experience Red during its album campaign, although I always enjoyed We Are Never..., I Knew You Were Trouble and 22. All Too Well is my favourite Taylor song.

    I will need to revisit this in the coming days. I think this was the first glimpse of her segueing into pop music, but also the last time when her country roots were heard on an album of hers. It bridges the two distinctive Taylors as we know them together, and in that respect may be considered as her most essential body of work and her most rewarding listening experience.

  16. #391
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    by » 10-11-17, 20:49

    Quote Originally Posted by MusicRecords
    Quote Originally Posted by Benjamin
    Quote Originally Posted by Guru
    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    Rules were recently changed: it's 5 years now. So the genre forums can be more current.
    I figured...
    .. it out, all by yourself?

  17. #392
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    by » 10-11-17, 23:11

    Quote Originally Posted by Benjamin
    Quote Originally Posted by MusicRecords
    Quote Originally Posted by Benjamin
    Quote Originally Posted by Guru
    Excuse my French but why the F are we moving any random topics to Retro?
    I thought the rule was 10 years or older to make the Retro topic? :-?
    Rules were recently changed: it's 5 years now. So the genre forums can be more current.
    I figured...
    .. it out, all by yourself?
    Yes
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    by » 25-11-17, 09:30

    The title track could have been one of her all time signature hits.
    Quote Originally Posted by SawyerHewitt
    The raw emotion Kween conveys when belting out WBT's climax>>>>>>>>>>>>>>>
    A MOMENT IN MUSIC HISTORY.

  19. #394
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    by » 26-11-17, 08:14

    Quote Originally Posted by BlueScorpion
    "Treacherous" is very underrated and reminds me of her early days.
    It's one of my favorites from her. She needs to make songs like this again to remind people how outstanding songwriter she is.

    About the album, it's always been a 50/50 album for me. The 1st half is just perfect, until after WANEGBT. Everything just goes downhill after that song, and recovers just before it ends with Begin Again - the jewel of the Red album.
    "Dion's voice glides effortlessly from deep whispers to dead-on high notes, a sweet siren that combines force with grace."
    - Time

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